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Anton Batagov - Bodhicharya-Avatara Voice: Telo Tulku Rinpoche, The Highest Lama of Kalmykh

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Pavel Karmanov - Cambridge music Credo quartet. Cambridge premiere, England, 2008

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Leonid Desyatnikov - Return World premier at the 10th Homecoming festival in Moscow 2007

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Vladimir Nikolaev Dances round a banana peel Composition of 1992. The YAMAHA TG 77 module is used

The Road film by Alexei Khatyutin - music by Pavel Karmanov

Vladimir Martynov. Wall-message (Brocolage) - Part 1 Vladimir Martynov plays at the presentation of his book "Alice's time" Moscow International Open

TPO Composer - Jeux d'enfants Children Games - Music by Petr Pospelov and Dmitry Ryabzev. Lyrics by Yekaterina Pospelova

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Alexander Wustin - Bagatelle




Alexander Wustin - Bagatelle
from "Petrushka Project".
Oliver Triendl, piano.
The "Bagatelle" by the Russian composer (*1943) in a tempo di tango is not really a proper tango -- or maybe it is after all? It can best be defined as a Cubist portrait of the Argentine dance form en miniature. In a mere 24 bars ranging from the lowest to the highest registers, the distinctive rhythm, the daring "harmonic garb" and the predominantly muted dynamics evoke a touch of decadence. What we do know however is that the former "salacious" dance was defined by UNESCO as a "masterwork of the oral and intangible heritage of mankind" in 2009. The tango became socially acceptable in Russia from 1911 onwards (Tsar Nicholas II permitted his nephew to give him a demonstration of this dance) and remained one of the most popular dances during the Soviet era. A tango festival has been held annually in Moscow since 2003.
In his "Bagatelle", Wustin also returns to the original French meaning of the term: "trifle, flirtation" and to the "Sympathie", a more modern term for a bagatelle utilised since 1988 to denote bagatelles associated with a homage.
http://www.petrushka-project.com/works/composers/show,20868.html
Contemporary russian composers: Alexandr Vustin 

for solo bassoon
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