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Alexander Wustin - Bagatelle




Alexander Wustin - Bagatelle
from "Petrushka Project".
Oliver Triendl, piano.
The "Bagatelle" by the Russian composer (*1943) in a tempo di tango is not really a proper tango -- or maybe it is after all? It can best be defined as a Cubist portrait of the Argentine dance form en miniature. In a mere 24 bars ranging from the lowest to the highest registers, the distinctive rhythm, the daring "harmonic garb" and the predominantly muted dynamics evoke a touch of decadence. What we do know however is that the former "salacious" dance was defined by UNESCO as a "masterwork of the oral and intangible heritage of mankind" in 2009. The tango became socially acceptable in Russia from 1911 onwards (Tsar Nicholas II permitted his nephew to give him a demonstration of this dance) and remained one of the most popular dances during the Soviet era. A tango festival has been held annually in Moscow since 2003.
In his "Bagatelle", Wustin also returns to the original French meaning of the term: "trifle, flirtation" and to the "Sympathie", a more modern term for a bagatelle utilised since 1988 to denote bagatelles associated with a homage.
http://www.petrushka-project.com/works/composers/show,20868.html
Contemporary russian composers: Alexandr Vustin 

for solo bassoon
For baritone and string quartet, text by Yuri Olesha (1977). Performed by Vladimir Khachaturov, barinone and String Quartet, Moscow
for piano quartet and percussion (2005). To Gidon Kremer in Memory of Dmitri Shostakovich
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